Blog

Autumn Concerts for Elderly Groups

We’re preparing for a busy autumn with both the R&D of our new adaptation of The Elixir of Love and our ever popular series of concerts for older people across South London. Based on similar concerts developed during lockdown and the following years we’ll be performing for a variety of carehomes and lunchclubs for elderly groups in Merton, Wandsworth and Croydon. The groups will be entertained with opera, musical theatre, classical songs, piano solos and old musical theatre classics for everyone to sing a long to! Hugest thanks to our funding from National Lottery Community Fund to enable us to provide these!

The team performing this autumn will be:

Felicity Buckland 

 

Felicity trained at the RNCM and on ENO’s Opera Works programme.

Felicity’s 2023/4 season appearances included Flora La Traviata at ENO (cover); Rosina The Barber of Seville (Bradford Opera Festival); Amneris Aida (Kentish Opera); Meg Page Falstaff (West Green House Opera), and concert performances of Mendelssohn Elijah and Beethoven Symphony No. 9. She has sung principal roles at ENO in both of Phelim McDermott’s celebrated productions of Philip Glass: first Kasturbai in Satyagraha, then Ankhesenpaaten in Akhnaten, and she will return to the Coliseum in early 2025 as Mary Livingstone in Thea Musgrave’s Mary, Queen of Scots.

Past operatic highlights include: Wellgunde The Rhinegold (Birmingham Opera); Carmen (Baseless Fabric Theatre/Grimeborn/Kentish Opera); Lily Porgy and Bess (Theater an der Wien); Nicklausse The Tales of Hoffmann (Kentish Opera), La Cenerentola (High Time); Olga Eugene Onegin (Opera Up Close, Opera South East); Rossweisse Die Walküre (Grange Park Opera); Beggar Woman Sweeney Todd, and Paquette Candide (West Green House Opera).

Felicity is in demand on the concert platform, and has made solo appearances for the BBC Proms at the Royal Albert Hall, at Royal Festival Hall, and with the BBC Concert Orchestra. She is also a singing tutor and experienced animateur, leading music workshops for groups of all ages and abilities across the UK.

www.felicity-buckland.com

 

Elspeth Wilkes

Elspeth Wilkes

Born in Leigh-on-sea, Essex, Elspeth studied at King’s College, London, Trinity College of Music and Royal Academy of Music. She has performed at venues including St John’s Smith Square; Linbury Studio, Royal Opera House; St Martin-in-the-Fields; Kings Place; Trafalgar Studios; Savoy Theatre, West End as well as performing recitals in Greece, Spain, Portugal, France and South Africa. Elspeth has performed at the Ravenna music festival, Italy, the Edinburgh Fringe Festival and the Dublin Gay Theatre Festival where she won the ‘Oscar’ award.

Elspeth has worked with BBC Wales, Royal Ballet, Royal Shakespeare Company and Southbank Sinfonia and has performed for HRH The Princess Royal. She also performs regularly for the charities Lost Chord Foundation and Music in Hospitals working with people suffering from dementia. Elspeth has worked as a repetiteur/musical director with many opera companies including Opera up Close (winning an Olivier award for La Boheme), Opera Brava, Merry Opera, Northern Ireland Opera, Kings Head Opera and Opera de Bauge. Elspeth is the conductor of Thurrock Choral Society and assistant conductor of Barnes Choir and is a member of the Bridgetower Ensemble.

 

Claire Wild 

 

Claire Wild attended the Royal Northern College of Music‚ sponsored by the Peter Moores Foundation and the Musicians Benevolent Fund. She won the Webster Booth Award‚ the James Oncken Song Prize and the Frost Brownson Award.      

Highlights in recent seasons include Lilli Vanessi / Katharine in Kiss Me, Kate and Elle La voix humaine for Welsh National Opera, Susanna Le nozze di Figaro for Regents Opera and Petra in A Little Night Music for Opera Project at West Green House, Welsh National Opera as Emma in Khovanshchina and Garsington Opera as Caridad The Skating Rink, a newly commissioned opera by David Sawer.

Concert repertoire includes Elijah, Messiah‚ Carmina Burana, Bach St Matthew Passion, Mozart C Minor Mass. She has performed Dallapicolla Commiato and Stravinsky Pulcinella (Royal Northern Sinfonia) and Christmas and New Year Galas (Raymond Gubbay, Orchestra of Opera North, Royal Liverpool Philharmonic and London Concert Orchestra) and Messiah (City of Birmingham Symphony Orchestra).

 

 

Blog

Singing, dancing & sharing ideas for Street Opera!

Following our session with the brilliant Roehampton Base Youth Club as part of the adaptation process of our new street opera, we also visited the Elders Group at Katherine Low Settlement to share our work and pick their brains! The lovely Elspeth Wilkes led some vocal warm ups with the group, accompanied Claire Wild singing a few numbers from opera, musical theatre and well known songs to get everyone singing along and we showed filming and discussed how we rewrite and adapt operas for high street performances. Elspeth even got the group singing an opera chorus and some of the group joined in dancing! We also discussed some of the problems of adapting Elixir of Love for London life today and the group had lots of brilliant ideas for solving them – thank you for your help! Another brilliant session as part of our adaptation and we can’t wait to be back later in the process to share some of the scenes we’ve created. Meanwhile Jo needs to get her head down in the libretto and Leo is hard at work on those dots….

Blog

Drama games, dazzling ideas and descants…

As part of the adaptation process to re-write The Elixir of Love into a modern English street opera for London life today, the team this year are also working with two local community groups who we wanted to engage further in the process of our work.

Previously when we’ve done our street performances at and around Roehampton Base Youth Club we’ve had such fantastic responses from the brilliant young people that we thought it would be a good idea to visit them at a much earlier stage of the process. And what an amazing time we had with the group! SO much laughter and SO many brilliant ideas from all of the young people and staff. Nadege led drama games, Leo played the bassoon, Claire sang and led vocal warm ups, and we discussed The Elixir of Love and ideas for who the characters would be and how the story might work in London today. The group were just as brilliant at Eastenders Zip Zap Boing as helping us sort out some of the story’s problems! Thank you so much to everyone involved, to the brilliant Roehampton Base team for organising, to Arts Council England for funding – and we absolutely can’t wait to be back very soon!

 

 

 

 

Blog

What do LEGO, Peter Brook and Beyoncé have in common?

They’ve all done re-imaginings of Carmen!

Reimagining Carmen – one of the most famous operas fullstop – for our Baseless Fabric #HighStCarmen version definitely feels more weighted than our previous Cosi Fan Tutte or Die Fledermaus. There is so much history to it and so many people have so many opinions on both the character of Carmen and the story itself! However, it is also one of the most adapted stories – in fact Bizet and his librettist collaborators (Henri Meilhac and Ludovic Halévy) adapted it themselves from Prosper Mérimée’s novella. And we are never ones to back down from a challenge of a bold re-imagining so here’s some of the good company we’re in – you might find a new favourite interpretation of this story yourself! Read more

Blog

Announcing the Cast of Carmen!

We are delighted to announce the cast of Carmen:

Felicity Buckland – Carmen (Arcola Theatre)

Felicity Buckland

Felicity trained at the RNCM and on English National Opera’s Opera Works programme.

Recent solo appearances include Kasturbai, Glass Satyagraha for ENO, Wellgunde Wagner The Rhinegold for Birmingham Opera and Nicklausse, Offenbach The Tales of Hoffmann for Kentish Opera. Previous ENO highlights include cover roles in The Valkyrie, The Mask of Orpheus (Birtwistle), Orpheus in the Underworld, Carmen, and Olivier-Award winning Porgy and Bess. Elsewhere she has sung the title roles in Carmen (Kentish Opera) and La Cenerentola (High Time Opera); Rosina The Barber of Seville (Opera South) Rossweisse Die Walküre (Grange Park Opera); Olga Eugene Onegin (Opera Up Close, Opera South East, Mid Wales Opera (cover)); Dorabella Così Fan Tutte (Baseless Fabric Theatre); Cherubino The Marriage of Figaro, and 3rd Lady The Magic Flute (both Opera Up Close). She is a regular extra chorister for The Royal Opera House, ENO and Opera North.

Felicity is in demand for solo oratorio, music education projects and consort/session work, and is delighted to be a regular part of Baseless Fabric’s Learning and Participation Projects. Read more

Blog

Covid Safe Care home concerts

During late September/early October 2020 we headed to seven different care homes across Wandsworth and Merton to provide a concert to their residents and staff to try and bring some musical joy and lift spirits during these difficult times of Covid 19. Kindly funded by Wimbledon Foundation, Merton Giving and Sylvia Waddilove Foundation we performed outside in the car parks and gardens of care homes so that residents and staff could safely enjoy our socially distanced performance. Check out our video for a peek at what we got up to! Read more

Blog

For the love of libraries….

As Mamet plays in libraries is a bit different to opera on the high street, we thought perhaps you might be interested to hear a bit more about our forthcoming production of Reunion and Dark Pony and why it’s taking place in libraries across South London.

Firstly, we aim to present one opera and one theatre production a year. Last year it was street opera Drifting Dragons and digital promenade theatre piece A Secret Life, which took the audience on a journey round the streets and ended up for a scene in the wonderful Mason’s Arms pub. Both of those projects were new pieces based on local people’s stories and inspired by the many local people across Merton and Wandsworth we spoke to about their memories.

This year we have left new stories to re-discover old ones and present them in unusual public places. You don’t often hear Mozart’s Cosi Fan Tutte in the pub or the supermarket do you? But you do with us! So we wanted this year’s theatre production to also be a classic in an unexpected place.

Read more